Wednesday, May 29th
TICKETS: Reserved Seating $39 - $69
Easily one of the hardest working bands in show biz, today’s Little Feat is a seven-member powerhouse that ably carries on the group’s tradition in both the recording and touring arenas. Their most recent studio album is Kickin’ It At The Barn, produced by Feat-ers Paul Barrere, Bill Payne and Fred Tackett. It’s named after the place it was recorded throughout 2003, Tackett’s barn-come-studio in Topanga Canyon, which Bill Payne has called ”Little Feat’s version of The Band’s ‘Big Pink’,“ and which lent an invaluable ambience to the undertaking.
Feat’s story began in 1969 when songwriter, performer, multi-instrumentalist, and all around colorful character Lowell George set out to form his own band -- at Frank Zappa’s suggestion. George connected with keyboard master Bill Payne, and, along with drummer Richie Hayward and Roy Estrada, founded Little Feat. They were soon signed to Warner Bros., where Little Feat, in various configurations, would remain for twelve of their sixteen albums.
This initial line-up recorded the band’s first two LPs--their rootsy, 1971 self-titled debut, featuring the classic cut ”Willin,“ and its follow-up, Sailin’ Shoes, which added ”Easy To Slip,“ ”Trouble,“ ”Tripe Face Boogie,“ ”Cold Cold Cold“ and the infectious title track to their repertoire. Upon Estrada’s departure in 1972, Paul Barrere, Sam Clayton and Kenny Gradney (all still in Feat today) signed on, and the rest, as they say, is history…and many more great albums.
In 1998, Little Feat released Under The Radar, and delivered a consistently strong set of songs including new Feat favorites ”Home Ground,“ ”Eden’s Wall,“ and ”Calling The Children Home.“ With 2000’s Chinese Work Songs, also on CMC, Little Feat’s ever-evolving repertoire grew even more, featuring original compositions including ”Marginal Creatures,“ ”Eula,“ and ”Another Sunday,“ as well as vibrant covers of Bob Dylan, The Band and Phish songs.
Released in October 2003, Kickin’ It At The Barn adds to the ever-growing repertoire on the band’s very own Hot Tomato Records. In a perfect synergy of saluting their vibrant past and christening the untold future, Hot Tomato kicked-off in June ’02 with the inaugural releases Raw Tomatos and Ripe Tomatos, each a double-CD collection of live rarities spanning over three decades. Tracks were culled from a wealth of tapes amassed over the years from both fans and band sources alike, with each collection boasting well over two hours of music—they are only the first in what promises to be a Hot Tomato tradition of creatively mining the band’s inexhaustible archives.